However, 16-bit/44.1kHz is what we got back in 1982, and 16-bit/44.1kHz is what CD still uses more than three decades on: we’ve been trapped in a technology ‘almost good enough’ 30 years ago for all that time, just like we would be with everything else we own if all development had been stopped back then. Ideally, at least 20-bit resolution at 60 kHz sampling frequency would have been better.’ Indeed, some say it was only ever almost good enough for high-quality sound reproduction: Malcolm Hawksford, Professor of Psychoacoustics at Essex University, feels that, ‘It was near the limit, but in my view probably a bit marginal.
CD is a 16-bit, 44.1kHz system, what’s needed to improve conformity between the analogue original and the digitised version is a combination of more bits in each samples, and more samples for each second of music: the more bits you use, the more natural the music sounds, and the faster the samples, the wider the frequency range.ĬD’s 16-bit/44.1kHz digital system may have been the apparent state of the art in 1982, but it didn’t take long for it to get past its sell-by date.
With PCM, the two basic factors that determine the sound quality are bit depth (which determines the quality with which the analogue signal is digitised), and the sampling frequency (which is the number of times per second that the analogue signal is digitised).
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